Margaret Alton: A Wonderful Heroine

I wrote the series about Helen over many years, from when I was a teenager, to when I was in my thirties.

That's a long time!  Obviously, I was a very different person when I first invented Helen, from when I wrote about Helen becoming a mother.

I was a senior in college when I was writing On the Run, which is where her little boy is born.  But Helen was a mother starting earlier, when the two little girls, Gena and Alison join her, and I was still improvising a personality for Helen, based on myself, really.  Shortly afterward, when I might have been getting ready to write the books that continue the Helen story past On the Run, I was busy teaching, writing lots of stories unrelated to Helen, and reading, especially the Darkover books.

The Darkover series is complicated.  The author, Marion Zimmer Bradley, who also wrote The Mists of Avalon, and several other books—one of which, Firebrand, is a favorite of mine—wrote the Darkover books over more than a decade, and I'm willing to bet that not only did her concept of Darkover morph over the years, but she also probably forgot some of the facets of her early concepts of the planet.  But then, she wrote several books—mainly three—centered around Margaret Alton.

Margaret ('Marguerida') Alton is an interesting character.  We first meet her as a little kid who is put in an orphanage, while her parents are engaged in an epic, superhuman battle.  That, right there, would have been enough to guarantee that the kid would be psychologically damaged.  In addition, her mother had huge problems, and was extremely neurotic, to put it mildly.  Her father rescues her, and leaves the planet with the child and his new wife (much more sane than little Margaret's birth mother),  and try to make a life (on Earth, incidentally).  Some 20 years later, Margaret is a scholar of ethno-musicology, and is sent to Darkover with an elderly colleague, to study the folk music of Darkover.  (That's what ethno-musicologists do: they study folk music.)

In case you didn't know—and you probably don't—what makes Darkover interesting is that a large number of people of Darkover are gifted psychics.  They can read minds, they can send mental messages, they can cause pain, and so on.  It turns out that Margaret is, in fact, a generational psychic talent.

Now, obviously, apart from the fact that Margaret (or Marja, as her father calls her) can sing, and she is an able musician, there's not a lot that I could have borrowed from her character for the character of Helen.  But in fact, I appear to have borrowed quite a great deal!  Marja marries, and has children, and for some of the character of Helen as a mother, I modeled her on Margaret Alton.

At least some of what I gave written above I've written before, I'm sure.  Well, that's only to be expected; this is an instance where an author simply acknowledges her debt to another author.

Kay