I have just finished a new story—with the title above—by Iris Blythe Grey. (Hang on, while I check that—yeah.) It's about a girl who's finding it hard to make ends meet, and reluctantly goes into a fertility clinic to sell one of her embryos. (Apparently, worth about $1000 each.) By accident, she's implanted with another woman's baby.
Of course, that's a stunning accident, both for the girl now implanted, and the girl whose embryos these were.
The story moves along in a strange way, as the two women begin to relate to this highly peculiar situation, in a strangely rational way, almost as if they were AI's, analyzing everything that happens, and everything they feel, almost mathematically, in a utterly strangely similar way to each other.
All throughout, the author uses very specific vocabulary. Initially, I think, to underscore their highly similar thought-processes, and eventually to show how they learn to trust each other, and become intimate—not physically, but in their relationship.
Though they're very similar in some ways, the author manages to make them very different people; interestingly different. They're each perfect in her way—but, of course, in different ways—but, over many, many weeks, the reader can see them beginning to see each other as potential mates.
One of them is a lawyer, and the other is a medical student, so of course their vocabularies are very precise, and they each is articulate enough to understand exactly what the other is saying. Only the reader might be out of the loop, but not intentionally.
At first, I thought this stiff vocabulary might be how the author thought and wrote. Structure. Lists. Manipulation. Framing. Architecture. Performative. Decision and execution. These are not unusual words, but they're used so systematically that one keeps wondering: what's going on? I'm going to have to read another story by Iris, to see whether I'm going to have to wander among the decisions and executions for another couple of days.
