I was surprised by the aspects of the story that were good.
1. The main protagonist is a young woman, who has qualified to be a knight in spite of her reactionary father. There are a number of run- ins between father and daughter, but the language and tone---given that girls were not permitted to be knights, though that is a conceit that has been heavily explored in modern popular literature---are convincing.
2. The vampire is also a woman, who is disguised as a visiting knight, at the outset. The plot element of a 'dark knight' at a tourney ìs also quite common, so the only innovative device, here, is that it is a female, and a vampire.
3. The other grown-ups here are well-spoken, though the language is modern. The politics is moderate, though the young female knight is not only an ardent feminist, but also a 'socialist' according to conservatives of our day, because she urges her father to spend money to make the lives of the villagers easier. But that's not a knight theme; the girl is anxious to make the village safer, from vampires, incidentally.
There is one feature that I think detract from the story.
The vampire is, as vampires often are, several centuries old. But the woman is just a little more spry and affectionate and--- honestly--- youthful, that it strains the imagination. A being more than a century old, would normally be just a little more measured in their speech. The style of speech is the main tool an author has to paint a picture of a character, more than descriptive words, descriptions of clothing, and things like that (though they're important, no doubt).
Then, apart from a couple of mechanical errors--- which seem inevitable--- it is a nice first installment of a multi- volume work.
K.H.B
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